A beautiful and inspiring hidden sculpture garden lies between Canberra’s Lake Burley Griffin and the National Gallery of Australia. Like everything in Canberra, you need to be a local to find the hidden places where there’s life and beauty and art and, well, people!
The hidden sculpture garden is actually part of the National Gallery of Australia (the NGA). It’s a large site and this is my favourite part of the Gallery. Not many people realise there is a sculpture garden at the back of the site. Kids love it. Couples love it. My dog loves it! It’s both a secluded park and an art exhibit at the same time, and at each turn the sun glints off the lake.
It is free to enter and there is cheap and free parking all around, including at the Gallery on weekends. The sculptures themselves are hidden among the mature eucalyptus trees because of the design of the garden into distinct ‘rooms.’
Isn’t Sculpture Kind of Boring?
Well some of it so boring you could fall asleep in front of it. But the same can be said for stuff on Netflix and a lot of books I’ve started and films I’ve seen lately. I like BIG sculpture! I like sculptures that you stand in, jump on, walk through. Sculpture can be disorientating – it’s like an early version of Virtual Reality. All good artworks share this property but for me, sculpture is the easiest kind of material culture to understand, to find powerful, and to make me go “Wow.”
I prefer sculpture gardens and sculpture outdoors rather than in a gallery where it is stuffed among so many other pieces that I start getting them all mixed up and it makes my head spin. Seeing sculpture sitting in valleys or on hills or beside the sea adds a three-dimensional reality that makes the experience more immersive and somehow, just more real!
What’s Unique About This Sculpture Garden?
In a nutshell: the setting, the layout of the garden and the quality of the sculptures themselves. Oh, and it’s all free and open every day, 24 hours a day.
Along the shore of Lake Burley Griffin, Canberra’s hidden sculpture garden has no boundary and nothing to mark it as part of a national institution. You just leave the cycle or walking path, wander in, have a picnic, use their bathrooms, and hang out among the sculptures. One of my best friends got married in the Sculpture Garden.
The Layout of the Garden
The original plan for the garden was a different area or ‘room’ for each season. Sculpture was purchased from all over the world, mostly in the early 1980s. As such they reflect the industrial aesthetic of the time. As money dried up over the next 25 years, some of the sculptures were moved into the forecourt and foyer of the National Gallery and the fourth garden, the Autumn (Fall) room, was never built.
I love the industrial aesthetic and I love big sculptures. The best sculptures are arguably the biggest ones (see my Angel of the North post)! and they are implanted in their landscapes and move themselves or change how they look according to the weather. Scroll down and see the best ones!
The Summer Garden
Let’s go straight to the best bit: the Summer Garden. A small spring was found by a water diviner when the garden was being built and allowed a marsh pond to be created. It is filled with rushes and lilies. Mature casuarina trees form a grove around the pond. They were chosen deliberately because you can hear the sound of the wind rushing through their leaves on Canberra’s windy days. A magnificent Fog Sculpture (yes, I said “fog”!) by Fujiko Nakaya is installed beside the marsh pond. The fog is turned on between 12.45 pm and 2 pm every day.
The fog floats over the marsh pond and two sculptures that have been installed in the water. The first is a crude fishing boat or raft made from bronze. It lies half on the shore and half in the marsh pond. It’s called On the Beach Again by Robert Stackhouse.
In the centre of the marsh pond is a sculpture by Dadang Christanto called Heads From the North 2004. It consists of 66 slightly larger than life heads cast from bronze that memorialise the killings and trauma of 1966 in the country to the north of Australia, Indonesia. Dadang Christanto lost his father in the killings by the Indonesian military by the Suharto-led government in retaliation for an attempted coup. 500,000 people were killed or disappeared in 1965-66 and this serene but sad installation of 66 bronze heads marks the year, 1966 and also expresses the author’s grief at his personal loss.
At the far side of the marsh pond is an incredibly organic sculpture by the renowned sculptor, Henry Moore, called Hill Arches. It has been described as “two bodies in rhythmic movement, whose empty spaces are just as important as their shapes.”
There are two other very cool sculpture arrangements in the vicinity of the marsh pond. The first are the towering slit drums from Vanuatu in the Pacific. They are called Atingting are usually played only by men of high rank an dare some of the largest musical instruments in the world.
I have always loved the Pukamani burial poles (1979-1984) from Bathurst and Melville Islands. Pukamani means ‘dangerous’ or ‘taboo’ and is a ceremony conducted by the Tiwi islanders in the months after a person has died. The number and size of the poles tells us how important a particular person was in Tiwi society. This is like a dream garden for us anthropologists!
The Winter Garden
The winter garden shelters in the lee of the 23-metre tall walls of the Gallery and is paved and contains a reflection pond. Several Rodin sculptures are here. My favourite two winter garden sculptures are La montagne 1937 by Aristide Maillol and Gaston Lachaise’s Floating figure 1927.
La montagne is a sculpture of Maillol’s muse in his later years, Dina Vierny. He met her when he was 73 and she was 15, after the second world war in Paris. His work was influenced by his friend and mentor, Paul Gauguin and has been called :primitive classic.’
Lachaise’s Floating figure 1927 is also of a nude hanging around the winter garden. In fact, pretty much all the sculptures in the winter garden are nude!
The Spring Garden
The Spring Garden open to Lake Burley Griffin and is home to the three massive scupltures, Cones, Ik ook and Virginia.
Cones 1982 was commissioned by the National Gallery from Bert Flugelman. It is made from stainless steel and is more than 20 metres long. It reflects the sky, the ground, the eucalypts and the visitors who see their reflections in the cones.
Ik ook 1971-72 is by Mark di Suvero. You’ve got to love Ik ook, even if you only love its name! The artists says that “my sculpture is painting in three dimensions.” Mark di Suvero left America for Europe as a protest against the Vietnam War. He returned to America after the Vietnam War and made Ik ook and other massive sculptures. Ik ook is all about male occupations, metal trades, construction and engineering. It is about the working class industrialised America of the 1970s.
The last of these monumental sculptures is by Clement Meadmore and is called Virginia 1970. The weathered steel sculpture was made in America and weighs over 8000 kg. The National Gallery commissioned the work which is named after Virginia Cuppaidge, an abstract artist from Brisbane, Australia. Meadmore’s sculptures seem to defy gravity by being extraordinarily heavy but just resting on the ground.
Finally, a relatively new work for the garden is the wonderful life-sized maquette (model) of the Angel of the North by Antony Gormley. I have written a post on the real Angel of the North, Britain’s largest statue!
There are many other sculptures for you to discover in Canberra’s Hidden Sculpture Garden, but first, read on to know how to get there!
How To Get To Canberra’s Hidden Sculpture Garden
The National Gallery of Australia is open every day except December 25, from 10am to 5pm. The sculpture garden is open every day. Admission to the sculpture garden is free.
The wonderful fog sculpture is turned on between 12:45 pm and 2 pm every day.
Walk or Cycle: Walking and cycling to the Sculpture garden around Lake Burley Griffin is easy and a lovely walk.
There are 15 bike racks available. 5 of these are beside the Sculpture Garden.
Drive: Most visitors to Canberra’s Hidden Sculpture Garden come by car. The underground car park is immediately to your right when you turn into King Edward Terrace, off Parkes Place. Use the ACTION bus route planner here.
Bus: Nearest stop is King Edward Terrace and Parkes Place East. Download bus timetable here
Links and Further Information
National Gallery of Australia, Parkes Place, Parkes, ACT 2601.
Phone: + 61 2 6240 6411
Download free map of NGA including entrances to the Sculpture Garden and How To Get There information here
Download free map of Canberra city map and attractions here. The NGA is Number 24 on this map.
Link to the NGA Sculpture Garden official web page can be found here
Another great sculpture experience is Britain’s largest statue. Read my post here about Newcastle’s Angel of the North statue
More detailed information on how to book transport, airfares, accommodation and travel insurance is available on my Travel Resources page.
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